Another Take on a Rock Classic: Mary Lee’s Corvette

 

 

 

 

 

So what’s a girl to do when her band is asked to perform at one of Arlene’s Grocery’s Classic Albums nights and Neil Young’s After the Goldrush and the Band’s Brown Album are already taken, leaving only Dylan’s Blood on the Tracks ? Without hesitation frontwoman Mary Lee Kortes gamely volunteered, but then doubt began to creep in:

These questions immediately presented themselves: How do you sing a Bob Dylan song in a way that anyone should ever bother listening to? How do you sing it right without imitating him? How do you make it your own? And of course, why should you?

 

One Saturday night, in mid 2001, with one full band practice under their belt; a lead singer who two days prior to the show learned how to play the harmonica, Mary Lee’s Corvette, with a very nervous Mary Lee (vocals/harmonica), Andy York (guitar), Rod Hohl (acoustic guitar), Diego Voglino (drums), Brad Albetta (bass), and Andy Burton (piano/organ), Lee took to the Arlene Grocery stage.

That there should or would be a document of the band’s performance that night was never a certainty. Positive that she couldn’t do justice to the material, Mary Lee hadn’t planned on recording the performance, but a friend convinced her that she should, arguing that after all

It’s Dylan!

Several weeks after the show and casting about for the band’s next project; a friend, Amy Rigby, suggested that she think about releasing Blood on the Tracks. The sound board recording of the band’s performance that night proved revelatory, but there was a problem

the first half of “Meet Me In The Morning” had not been recorded

Lucky for her (and for us) that during the show drummer Diego Voglino

had a mini-disc recorder going the whole night back by the drums

A little studio wizardry and several discs of the shows were finally burnt and sent out; one going to Vin Scelsa, host of Idiot’s Delight® on WFUV , one to Billboard Magazine, and one to Dylancoveralbums.com.

The rest is history, one day Mary Lee turned her computer on to discover she

had requests from Sweden, Germany and California for copies of this “record.” And they kept coming.

Except for perhaps (imho) the false step of allowing a guest vocalist to sing the first verses of “Lily. Rosemary And The Jack Of Hearts” Mary Lee’s Corvette manages to do justice to Dylan’s classic. The disc manages to convey an almost palpable feeling of the energy that must have been in that room that night. Mary Lee takes control of these songs, and without ever changing the gender of the songs characters, you forget she is a woman, singing songs written by a man as his marriage dissolves in divorce.

 

Discography

Mary Lee’s Corvette (Ripe & Ready) 1996
True Lovers of Adventure (Wild Pitch Records) 1999
Blood on the Tracks (Bar/None Records) 2002
700 Miles (Bar/None Records) 2003
Love, Loss & Lunacy (Western Force) 2006

Tracks Appear On:

“Shelter From the Storm (live)” Uncut: Tracks Inspired by Bob Dylan (Uncut Magazine) 2005

 

Mary Lee’s Corvette -Blood On The Tracks (2002)

Playing Time: 55 minutes 41 seconds

1. Tangled Up In Blue (6:25)
2. Simple Twist Of Fate (4:54)
3. You’re A Big Girl Now (4:46)
4. Idiot Wind (8:26)
5. You’re Gonna Make Me Lonesome When You Go (2:45)
6. Meet Me In The Morning (5:14)
7. Lily. Rosemary And The Jack Of Hearts (9:41)
8. If You See Her. Say Hello (5:10)
9. Shelter From The Storm (4:26)
10. Buckets Of Rain (3:54)

Buy Blood On The Tracks from Amazon.com

Mary Lee’s Corvette Official Web Site

Tags: Adult Alternative Pop/ Rock, Alternative/ Indie Rock, Singer/ Songwriter

Red Shift: A Hovercraft Addendum

I’ve just added Hovercraft’s 1998 Experiment Below to my earlier post about this experimental noise band from Seattle.

Thanks to Tim who made it possible by sharing his copy of the album with us.

Bulkhead: Third Time is the Charm

James recently wrote and asked if I would repost Bulkhead’s What Ears See. Noticing that all the links were dead I’ve freshened them all, plus added their 1992 album Plunk.

Here’s the direct link to my 2008 post about this former Boston based band that a Boston music critic claimed was

the missing link between Mission of Burma and the Pixies.

Enjoy!

Red Shift: Hovercraft

“Antithesis”

One of the several definitions for the word antithesis, is “the direct opposite,” and in mid 1990’s, “flying the flannel” Seattle if there was any band in opposition to it’s much hyped musical scene it was the group Hovercraft.

Often cited as one of the most abrasive, non-commercial sounding bands ever to receive major-label distribution for its albums

the instrumental experimental rock group Hovercraft was co-founded in 1993 by guitarist/samplist/tape looper Ryan Shinn (“Campbell 2000″), and bassist Beth Liebling (“Sadie 7″) and was

founded as a direct reaction to the dominance of the area grunge scene

while

their lengthy, moody avant compositions” were influenced by the music of Einstürzende Neubauten, Amon Düül and Genesis P-Orridge.

Unlike a number of Seattle bands who didn’t always actively discourage audience participation at a Hovercraft show upon making their entrance they never uttered a word or made eye contact with their audience. Their shows also borrowed freely from the psychedelic 60’s with

the stage shrouded in darkness as a projector played black & white scientific films and space-themed documentary clips from the reel-to-reel era (1940s-1970s), and free-use stock footage, somewhat synchronized to the music.

A Hovercraft show often featured fragments of album tracks but

was played as a single forty to forty-five minute long semi-improvised piece with no breaks.

While often overlooked Hovercraft was well respected and well received by the critics and developed a cult following, but was roundly criticized because of it’s association with Pearl Jam’s Eddie Vedder, who at that time was married to Beth Liebling.

On the band released single “Zero Zero Zero One” Vedder is featured as

“Paul 4″ on drums and on “box of nails.”

For the band’s first tour opening for Foo Fighters and Mike Watt Vedder would don a long wig in order to conceal his face, but once his true identity become widely known

subsequent Hovercraft tours would often be flooded with fans of the Pearl Jam frontman.

Eventually former Pearl Jam drummer, Dave Krusen (“Karl 3-30″ ) replaced Vedder; and the fact that he was a more technically proficient drummer allowed the band to move from lo-fidelity noise experiments to music with structured improvisation and avant experimentalism.

The group signed with Blast First Records in 1977 and their debut album, Akathisia, (double-LP or single CD) was distributed in North America by Mute Records America.

In April 1997 that line-up of the band played at the first Terrastock festival in Providence, Rhode Island. 1997 also found the group opening for the likes of Japan’s Kirihito, Caustic Resin, Fugazi, Helmet and The Melvins.

In 1998 Ric Peterson (“Dash 11″) replaced Dave Krusen (“Karl 3-30″) on drums and it was his harder-hitting style that

was the apparent catalyst in the band’s shift from ethereal 15-minute songs to more concise, angular arrangements.

One year in the making the group’s final album, Experiment Below, was released in September 1998. 1998 and 1999 also found the group touring Europe with Add N to (X) and the United States with the Boredoms, The Melvins, and Mr. Bungle. Scattered in between tours were a number of one-off shows with Wire, Sleater-Kinney, Hater, Mudhoney, and IQU.

The group collaborated with Stereolab guitarist/backing vocalist Mary Hansen and formed the band Schema. Unlike the wholly instrumental Hovercraft Schema featured vocals and instrumentals in approximately equal measure. Plans for a tour and a second album were shelved when the 36 year-old Hansen was struck and killed by a truck while riding her bike in London on December 12, 2002.

Hovercraft’s last live performance was on February 16, 2001, at the Experience Music Project museum in Seattle.

DISCOGRAPHY

Releases:

Been Brained (EP) (Noiseland Records)1994
Zero Zero Zero One (7″) (Repellent) 1995
Hovercraft (10″) (Repellent) 1996
Akathisia (CD, Promo) (Mute) 1996
Akathisia (CD) (Mute USA) 1997
Akathisia (CD) (Blast First) 1997
Akathisia (2xLP) (Blast First) 1997
“Vagus Nerve”/ “De-Orbit Burn” Scanner Remixes (CD Single) (Mute USA) 1997
“Vagus Nerve”/ “De-Orbit Burn” Scanner Remixes (12″ Single) (Blast First) 1997
Experiment Below (CD) (Blast First) 1998
Experiment Below (LP) (Blast First) 1998
Experiment Below (CD) (Mute USA)1998

Tracks Appear On:

[hidden track] “Shutdown Reprise” A Small Circle of Friends: A Germs Tribute (CD, Cass) (Grass Records) 1996
“Angular Momentum”, “De-Orbit Burn (Remix)” Newman Passage: Souvenir Complication (CD) (Blast First) 1997
“Hymn (with Eddie Vedder)” Kerouac – Kicks, Joy, Darkness (CD) (Rykodisc Records) 1997
“Haloparidol” Certain Damage Volume 79 (CMJ) 1997
“Haloparidol” Music From Chicago Cab (CD) (Loosegroove Records) 1998
“Haloparidol” Music From Chicago Cab (CD) ( Play It Again Sam Records) 1998
“Vagus Nerve (Scanner Remix)” Musique Facile Pour Gens Difficiles Volume 1 (CD) (Labels) 1998
“Anthropod” In Transit (CD) (Mute Records Ltd.) 1999

Schema

Releases:

Schema (Vinyl) (5 Rue Christine) 2000
Schema (CD) (5 Rue Christine) 2000

Hovercraft – Akathisia

Playing Time: 1 hour 4 minutes 47 seconds

1. quiet room (44) (15:35)
2. angular momentum (11:03)
3. haloparidol (12:31)
4. vagus nerve (12:29)
5. de-orbit burn (13:09)

Akathisia (Part 1) (Part 2)

Buy Akathisia from Amazon.com

Experiment Below (1998)

Playing Time: 45 minutes 32 seconds

1. Anthropod (6:06)
2. Phantom Limb (9:58)
3. Transmitter Down (10:07)
4. Endoradiosonde (6:52)
5. Benzedrine (1:50)
6. Wire Trace (5:37)
7. Epoxy (5:02)

Experiment Below (Part 1) (Part 2)

or

Download Experiment Below Here

Buy Experiment Below from Amazon.com

A 1999 performance by the group at Seattle’s OK Hotel is available here.

Tags: Alternative Pop/ Rock, Alternative/ Indie Rock, Dream Pop, Experimental Rock, Indie Rock, Noise Rock, Post-Rock, Space Rock

Back Up and Running with St. Johnny

Recently I had a request from Lex asking if I could refresh the links for my 2008 post My Radio Can Pick Up Static: St. Johnny. I’m always happy to oblige, so for Dex and anyone else who might have missed it the first time here’s the link.

So! Who Doesn’t Like Free?

Last week I received the following comment from Silber Records Brian John Mitchell which I thought I’d pass along.

Thanks for putting Silber up in your links. We actually have a lot of free EPs and comps available at www.silbermedia.com/downloads if you want to help spread the word on those.

Silber Records describes the music they release as:

Our music is likely mellower, but no less angst-ridden than the music we all grew up on. We hope you find something here that you can take with you. If you’re new here, may we suggest the label sampler drones,loves,honesties,sounds?

So if groups with names like Aarktica, Black Happy Day, Northern Valentine, Remora, Small Life Form or Vlor pique your curiosity check out Silber Records.

For those of you more inclined towards indie-pop two internet record labels I’ve come across and that feature free downloads are:

Cloudberry Records is an

indiepop label purveying the sound of jangly guitars based in sunny Miami, Florida.

They specialize in 3″ cds and 7″ singles and other than The Pains of Being Pure at Heart, The Westfield Mining Disaster and Je Suis Animal I’ve never heard of any of their stable of artists. Some of the artists they release are:

• The Airfields
• Sunny Summer Day
• The Manhattan Love Suicides
• Afternoon Naps
• Socialist Leisure Party
• Kosmonaut

Eardrums Pop, the label features

melodic alternative music: indiepop, folk pop, melodic electronica and experimental music

and as they state on their website

Our Compilations. Free+digital only. Made with the artists’ approval.

They have nine compilations available for download and along with the music all include artwork, artist bios and m3u playlists.

Some of their artists include:

• Spaghetti Anywhere
• The Voluntary Butler Scheme
• Butcher Boy
• Japan Air
• The Asteroid Theory of Death
• Heart-Sick Groans

Now while I’m not familiar with any of these artists it’s possible that

todays unknown just might be tomorrows star…

Check out these websites. I’m sure you’ll find something you like, and if you do, show your appreciation by supporting these labels and their artists by visiting the websites of the bands you like, buying their releases, attending their concerts or just spreading the word about these bands.

It Just Might Be Coming to a City Near You

 

---

 

Then in it’s second year, the 1996 Vans Warped Tour, with it’s mixture of music and extreme sports barnstormed across North America. Kicking off on the Fourth of July in Phoenix, Arizona the tour played twenty-two venues in sixteen states and three Canadian provinces by the time the tour concluded on July 31st.

Now in it’s fifteenth year, this years tour begins on June 24th in San Diego and concludes on August 15th in Hillsboro, Oregon. In between the tour will play 43 dates in 26 states and three Canadian provinces.

One thing that hasn’t changed though is that over the course of it’s fifteen year run the tour provides much needed exposure for a host of post-hardcore, pop punk, and metalcore acts that in this day of highly segmented corporate rock radio they would never receive.

Dates	Venue	City
07/04/96	Desert Sky Pavillion	Phoenix, AZ
07/05/96	Summer Pops	San Diego, CA
07/06/96	Olympic Velodrome	Los Angeles, CA
07/07/96	Crissy Field	San Francisco, CA
07/09/96	LB Day Amphitheatre	Salem, OR
07/10/96	Plaza of Nations	Vancouver, BC
07/11/96	Tacoma Dome	Tacoma, WA
07/13/96	UT Fairgrounds	Salt Lake City, UT
07/14/96	Red Rocks Amphitheatre	Denver, CO
07/16/96	Sandstone Amphitheatre	Kansas City, KS
07/19/96	Eagles Ballroom Complex	Milwaukee, WI
07/20/96	Riverport Amphitheatre	St. Louis, MO
07/21/96	World Music Theatre	Tinley Park, IL
07/22/96	Pine Knob Music Theatre	Clarkston, MI
07/23/96	IC Light	Pittsburgh, PA
07/24/96	Drive-IN	Cleveland, OH
07/25/96	Riverbend Second Stage	Cincinnati, OH
07/26/96	La Salle Park	Buffalo, NY
07/27/96	Canada Mosport Park	Bowmanville, ON
07/28/96	Canada Verdun Auditorium	Verdun, QC
07/30/96	Northhampton Airport	Northampton, MA
07/31/96	Merriweather Post Pavillion	Columbia, MD

 

Vans Warped Music Sampler

Playing Time: 1 hour 6 minutes 41 seconds

1. Goldfinger. – Anxiety (2:23)
2. S.C.O.T.S. – White Trash (2:04)
3. Dimestore Hoods – Minds of Confusion (3:40)
4. Red 5 – Space (2:39)
5. Dance Hall Crashers – Queen For A Day (2:51)
6. Genius – Shadowboxin (3:34)
7. Compulsion – All We Heard Was A Dull Thud (4:00)
8. Sublime – Paddle Out/Wrong Way (3:35)
9. Steve Wynn – Why (2:50)
10. Loud Lucy – Down Baby (2:30)
11. Lifter – Headshot (3:13)
12. Kicking Harold – Kill You (3:57)
13. Boss Hog – Winn Coma (2:18)
14. Grover – My Wild Life (2:44)
15. Spot – Moon June Spoon (5:15)
16. Hog – Get a Job (2:52)
17. Reel Big Fish – Snoop Dog. Baby (3:29)
18. China Drum – Can’t Stop These Things (3:01)
19. Possum Dixon – Crashing Your Planet (3:03)
20. Mr. Mirainga – Jalopeno Eyes (3:34)
21. Beck – Make Out City (Where It’s At Remix) (3:09)

Vans Warped Music Sampler (Part 1) (Part 2)

Rubáiyát: Elektra’s 40th Anniversary

I would like to take this opportunity to wish everyone a Happy and Safe Holiday Season.

---

Released in 1990 to commemorate the 40th anniversary of Elektra Records the label’s then present day artists covered the

songs from the historic catalogue of recordings of Elektra Records and its sister label Asylum Records.

Though an interesting concept the results are rather a mixed bag; which makes searching out the promotional only 4 cd set that includes

not only the commercially-released version of the album, but also a second version featuring each recording in its original incarnation

imperative for the well heeled collector.

 

Rubáiyát: Elektra’s 40th Anniversary

Disc 1

Playing Time: 1 hour 14 minutes 11 seconds

1. The Cure – Hello I Love You (3:27)
2. Tracy Chapman – House Of The Rising Sun (2:03)
3. Billy Bragg – Seven & Seven Is (2:15)
4. Jevetta Steele – I’d Like To Teach The World To Sing (4:13)
5. Gipsy Kings – Hotel California (5:47)
6. The Black Velvet Band – Werewolves Of London (3:40)
7. The Sugarcubes – Motorcycle Mama (3:44)
8. Shinehead – One Meatball (4:38)
9. The Havalinas – Bottle of Wine (3:27)
10. Pixies – Born In Chicago (2:11)
11. Faster Pussycat – You’re So Vain (4:11)
12. Kronos Quartet – Marquee Moon (4:13)
13. Phoebe Snow – Get Ourselves Together (4:17)
14. Happy Mondays – Tokoloshe Man (4:18)
15. Ernie Isley – Let’s Go (4:41)
16. Lynch Mob – Going Down (3:35)
17. Ambitious Lovers – A Little Bit Of Rain (3:15)
18. Anita Baker – You Belong To Me (4:42)
19. Howard Jones – Road to Cairo (5:34)

Disc 1 (Part 1) (Part 2)

Disc 2

Playing Time: 1 hour 14 minutes 19 seconds

1. The Big F – Kick Out The Jams (4:03)
2. The Georgia Satellites – Almost Saturday Night. Rockin’ All Over The World (4:05)
3. Sara Hickman – Hello. I Am Your Heart (2:45)
4. Teddy Pendergrass – Make It With You (5:33)
5. Linda Ronstadt – The Blacksmith (2:41)
6. Bill Frisell. Robin Holcomb. Wayne Horvitz – Going Going Gone (5:59)
7. Jackson Browne – First Girl I Loved (4:45)
8. 10.000 Maniacs – These Days (3:27)
9. Metallica – Stone Cold Crazy (2:18)
10. Danny Gatton – Apricot Brandy (3:12)
11. Shaking Family – Union Man (3:56)
12. They Might Be Giants – One More Parade (2:23)
13. Howard Hewett – I Can’t Tell You Why (3:52)
14. Leaders Of The New School – Mt. Airy Groove (4:38)
15. Shirley Murdock – You Brought The Sunshine (4:17)
16. John Eddie – Inbetween Days (3:59)
17. The Beautiful South – Love Wars (4:37)
18. Michael Feinstein – Both Sides Now (5:14)
19. John Zorn – T.V. Eye (2:25)
20. The Cure – Hello. I Love You (Slight Return) (0:10)

Disc 2 (Part 1) (Part 2)

Purchase Rubáiyát: Elektra’s 40th Anniversary
through Amazon.com

Purchase the 4 CD version of Rubáiyát: Elektra’s 40th Anniversary

Tags: Alternative Pop/ Rock, Alternative/ Indie Rock, College Rock, Contemporary Pop/ Rock, Hard Rock, Urban

Struggling Electric & Chemical

DUSTdevils

Struggling Electric & Chemical

From the opening notes of “The Revenge of Cruiser Gurner” even the cachet of being released on two of the 90’s hippest record labels, Washington’s Teenbeat and New York’s Matador, couldn’t prevent comparisons between the Dustdevils and Sonic Youth.

As part of the second wave of NYC dissonance bands

the Devils developed naturally and independently — they just had the misfortune to customize, expand upon and modify some of the same no wave-and Glenn Branca-derived themes that were SY hallmarks.

The group’s (British guitarist Michael Duane and Australian vocalist/guitarist Jaqi Dulany) earliest works, Seeds in the Spoil and Rhenyards Grin showed promise both also managed to dance around the edges of goth pop.

By the time that Struggling Electric & Chemical is recorded Jaqi’s voice is totally shot (she speaks hoarsely rather than sings). Besides Michael Duane and Jaqi the band now includes future Pavement bassist Mark Ibold and drummer Rick Nance.

The album may be imbued with the ghost of Sonic Youth, but starting off with a lengthy Fall cover, “Hip Priest,” from The Hex Enduction Hour

is a gutsy way to begin an album,

but this

long-overdue interpretation of the Fall’s “Hip Priest” swings with feedback and slop.

The band as a whole aims for the messily epic and charging and generally hit the mark on numbers like the anthemic intro to “Throw the Bottle Full” and the boiling coda of “The Revenge of Cruiser Gurner.”

After Struggling Electric & Chemical the band’s future efforts are marred by almost constant personnel turnover. Between 1990 and 1993

Circle X/Loudspeaker drummer Martin Köb, eventual Ui head Sasha Frere-Jones, Wider leader (and Glenn Branca sideman) Dave Reid, Matador co-honcho Gerard Cosloy, and Uncle Wiggly/Fly Ashtray guitarist James Kavoussi

will all spend time in the band. When Jaqi leaves the country both Jackie Nemitz (ex-STP) and Jon Easley (ex-Sorry, Crown Heights), briefly replace her as frontperson.

She returned for Extant but following another falling out with Dulany in the mid-1990s she left the country to form the UK band Cha Cha Cohen with Keith Gregory (ex-Wedding Present).

 

DISCOGRAPHY

Releases:

Rhenyards Grin (LP) (Rouska) 1987
Seeds In The Spoil (12″) (Rouska) 1987
The Dropping Well (12″) (Rouska) 1987
Gutter Light (Cass, LP ) (Rouska) 1988
Rhenyards Grin (Cass) (Rouska) 1988
… Is Big Leggy (7″ EP) 1989
Geek Dip (12″) (Matador) 1990
Struggling Electric & Chemical (CD) (Teen Beat, Matador) 1990
Extant (CD) (Matador) 1996

Tracks Appear On:

“False Dawn” Profane 9 (10″) (Rouska) 1986
“Seeds In The Spoil”, “The Lost Divide” Zarah Leander’s Greatest Hits (CD) (Rouska) 1987
“Losing Ground”, “Whim Of Iron” Rouska’s Dollar Cacophony (LP) (Rouska) 1988
“Throw The Bottle Full” New York Eye And Ear Control (CD , LP) (Matador) 1990
“Seen Heat” Wakefield. The TeenBeat Boxed Set (4xCD) (Teenbeat) 1995
“Seen Heat” Wakefield/The Teenbeat Story/Vol. 3/1986-1995 Superstars On Forty-Five (CD) (Teenbeat) 1995

 

DUSTdevils – Struggling Electric & Chemical (1990)

Playing Time: 44 minutes 50 seconds

 

1. Hip Priest (10:34)
2. The Revenge Of Cruiser Gurner (4:25)
3. Feet Head High (2:47)
4. When Gravity Hits (3:33)
5. Head Of Kurtz (2:14)
6. Love You Like A Rock (3:11)
7. Neck Surf – NC (3:54)
8. Throw The Bottlefull (2:59)
9. Free Born Man (2:26)
10. Slope (4:55)
11. They Do Not Sleep 8 Hrs. A Night (3:52)

Buy Struggling Electric & Chemical from Teenbeat

Not enough Dustdevils for you? Check out YoungMossTongue where you can find the rest of the Dustdevils discography. For your convenience here are the links to specific titles.

Seeds In The Spoil
The Dropping Well
Gutter Light
Rhenyards Grin
… Is Big Leggy
Geek Dip
Extant
Live Above Par

More Lost and Found?

Exceedingly random music continues to turn up in the most unexpected places around here. Most of these discs don’t have titles or identifying logos so I’ve no idea what I’ve got until it’s in the cd drive. Once they’re in the CD drive I might as well just rip them, because one of the kids I’m sure will want them on their iPod.

I’m not sure how you feel about Deep House and House music… heck I’m not sure how I feel about it; but I’m positive that there’s something here that someone will find interesting.

House Proud Volume 1 (1999) (Distance)

Disc 1

Playing Time: 1 hour 16 minutes 59 seconds

 

1. Danny Rampling – Community Of The Spirit [Vocal Mix] (8:06)
2. Kings Of Tomorrow – My Love Is Real (7:23)
3. Lenny Fontana Presents The Exclusive Club – Thinkin’ About Your Love [Classic Club Mix] (6:26)
4. Bypass – Spill The Beans (7:42)
5. Bernard Badie Feat. Dajae – We Git Down (4:25)
6. Alton Miller – Sweet In The Morning (6:54)
7. Kevin Yost – If She Only Knew [Original Mix] (6:57)
8. USG Presents African Blues – Coconut Jam [Main Coco Mix] (9:21)
9. Larry Heard – And So I Dance [Anthony Nicholson's 'And So I Rhumba' Mix] (10:05)
10. Visuel Tools Feat. Curtis Harman – Keep Reachin’ [Keep On Vocal] (9:40)

House Proud Vol. 1 Disc 1 (Part 1 ) (Part 2 )

Disc 2

Playing Time: 57 minutes 24 seconds

1. Lenny Fontana Presents The Exclusive Club – Thinkin’ About Your Live [Deep Dub Mix] (5:55)
2. Kevin Yost – If She Only Knew [Todd Edwards 'Only She' Mix] (3:09)
3. Kings Of Tomorrow – Let It Go [Remix] (4:57)
4. Alton Miller – Vibrations (6:37)
5. Bypass – Avoid (3:44)
6. Danny Rampling – Community Of The Spirit [Constipated Monkeys Mix] (5:34)
7. DJB Productions Presents Richard Rogers – Can`t Nobody [Bass Dub] (5:13)
8. Larry Heard – Give Me Heaven [Chriss Gray's Deep 4 Life Mix] (5:15)
9. USG Presents African Blues – Coconut Jam [Coco Drop Mix] (7:42)
10. Visuel Tools Feat. Curtis Harman – Keep Reachin’ [Paradise Guitar Mix] (9:18)

House Proud Vol. 1 Disc 2 (Part 1) (Part 2 )

Buy House Proud Vol. 1

Tags: Deep House, House